CONSTANCE SPRY; Part Four

This is the last part of the Diary’s look at one of the seminal designers of the 20th century and indeed one of the pioneers of modern floristry as we know it today. I do hope that it was useful and that upon reflection it illustrates that in order to see our way forward we frequently need to look back.

Constance Spry in Her Own Words

Constance Spry wrote on every aspect of flower design, arrangements, décor, as well as flower care, and gardening. David’s Diary presents a selection of quotes:

I cannot think you can make rules about these things. One can only have an idea of what seems good and beautiful, and then use any means to achieve it.

FD

When once you begin to think of flowers as decorative materials it is extraordinary how your vision is widened. You begin to see beauty in materials you had never considered before.

GN

Half a dozen long stemmed peonies in a tall vase may look handsome, but a lower container filled with shorter-stemmed peonies will give you a better sense of the massive quality and richness of the flower.

GN

Instead of adding leaves to our flower groups, we actually remove much of the foliage in order to allow the colour of the flower to predominate unmodified by the more subdued tone of the leaves – or we may remove the green leaves and add others which in themselves contribute to the colour effect we want.

Let us suppose we wish to get a strong white note in a room, or part of a room, and elect to use white lilac or syringa (Mock Orange). If we omit to take off the leaves we fail thereby to obtain the intense note required, for the green leaves detract from, and obscure the solid white quality of the flowers of lilac and syringa, in fact they break up the composition into a series of patches, whereas without the disturbance of the leaves the massed flowers will give us the desired effect.

FD


Gypsophila paniculata is a delicate, fine, airy, graceful plant, far too often ruined in decoration by being broken up into small pieces and used to fill gaps in arrangements of other flowers. I had always found it a difficult subject to use indoors, until one day I found what I thought to be the right place for it…A very large fish-bowl (bubble bowl) filled with water, and in this a spreading, shapely arrangement of gypsophila, without the addition of any other flowers, found a setting which emphasized its special characteristics.
GN

In addition to the general decorative flower arrangements in a room it is pleasant to find, in suitable places, what I may call intimate flowers. On a writing table or a low fireside table, the exquisiteness of one gardenia set in its leaves, a spray of stephanotis, or a white camellia is appreciated by discerning people.

FD

It is a curious thing that, in spite of the superb examples set before us in the pictures of the great Flemish and Dutch painters, we are apt to neglect what I must call, for want of a better name, the mixed bunch.

FD


Even in the most expensive restaurants there is still to be seen that irritating little vase which is just in the way on a small table, and one either pushes it aside or an observant and obliging waiter removes it. Even if it is not a positive nuisance it is rarely an actual pleasure…Why have flowers on the tables at all? Why not concentrate the supplies into one or two groups placed at vantage points?
FD

One reads a good deal about the importance of proportion of flowers to vase, and though admittedly this is an important factor, I think it is good, sometimes, to treat the vase as entirely negligible, using it merely as a receptacle for water, and overpowering it if you will, so that the flowers absorb one’s whole attention and the vase is unobserved.

FD


Long stemmed tulips are magnificent flowers to arrange, but I do not like to see the quality of their line and stem and the dignity of their form left unconsidered. For instance, if you take a bunch of tulips and stick them into a trumpet-shaped vase, you have done little or nothing to help them display their essential qualities.
GN


I sometimes take a wide glass tank, anchor ferns to the bottom of it with lumps of crystal or white pebbles, and fill it with water. The ferns under water look cool and pretty. I do this rarely, because this sort of trick does not generally appeal to me and I definitely dislike seeing flowers submerged in water, probably because, although they may look pretty, I know they are beginning to soften and decay.
GN

FD = Taken from Flower Decoration, by Constance Spry, Dent, 1934

GN = Taken from Garden Notebook, by Constance Spry, Dent, 1940



Acknowledgements

I should like to thank Mr. Fred Wilkinson, and Mr. Bruce Frost, of Constance Spry Ltd for assistance, and also for permission to use the photographs, and quotes. I am extremely grateful to them as this article, in four parts, would not have been possible without their cooperation. Flower Decoration, and Garden Notebook, by Constance Spry, I can highly recommend.